Introduction to Pencil Drawing Supplies and Techniques

Drawing is a wonderful art form in itself, but it is also an excellent exercise for other forms of art, like painting for instance. Learning how to draw will truly open your mind to your surroundings enabling you to really see what is before you.

Choosing your drawing supplies there are a variety of different drawing tools available for today’s artists and what you choose to work with is based on your own preference. It comes to down to experimentation. You have to work with a number of different things before you find the tools that fit your style of drawing.

Don’t go out and spend a ton of money on your drawing supplies in the beginning. You can really get started with a beginner pencil set and some newsprint paper. When you become more experienced, you can then venture out and spend money on better supplies.

Graphite pencils – Graphite pencils range in hardness and are labeled from 9H to 9B. The H pencils are the hardest. The higher the number in front of the H the lighter the mark. The B pencils are softest. The higher the number in front of the B the darker the mark. The H pencils are generally used for detailed lines where the B pencils will produce rich dark lines great for bold expressive drawings.

Charcoal Pencils – Charcoal pencils also come in a range of hardness and are labeled either from H to B like graphite, or simply as “soft”, “medium” or “hard”. They have a noticeably different feel to them and produce a rich dark line. Charcoal pencils tend to wear pretty fast because of their softness.

Blending Tortillions – Tightly wound stumps of paper with a point used to blend in your drawings.

Erasers – You may want to have a few different types of erasers on hand to fit every occasion.

Kneaded Eraser – A soft pliable eraser that can be kneaded into any shape to pick up and remove pencil and charcoal. May not be the best for erasing smaller details. The SANFORD Kneaded Rubber Erasers are very popular.

Eraser Pencil – These are wonderful for getting into small areas of your drawings. They can also be sharpened like ordinary pencils.

Fixatives – Fixatives protect your drawings from being smudged or ruined. There are two types of fixatives: permanent and workable. Permanent fixatives are used on a finished drawing to protect, where a workable fixative is used during the drawing process as you are working. Use great care while working with fixatives by only using in a well ventilated area. When spraying the fixative, make sure you do not spray any one section for too long and only spray a light mist standing about 3 feet away from the drawing. You should probably experiment on a few practice drawings first to determine if a fixative is right for you. There appears to be a difference of opinion amongst artists when it comes to fixatives. Some artists love to work with them and swear by them, while others feel they may actually alter the quality of a drawing. Again, you have to experiment yourself to see if fixatives are a good choice for you.

Paper – In the beginning, for the purpose of practice, you may want to consider purchasing some inexpensive newsprint paper. You should be able to get this at any local art store or online. When you are ready to purchase a more expensive grade paper, choose something that will work best with the medium you use. Paper comes in a variety of different textures from smooth to rough, often referred to as its “tooth”. A really smooth paper may not work well for some mediums as the surface lacks texture, and will not grab certain drawing mediums very well. If the paper is too rough, the medium may simply slide across the surface. You have to experiment with different papers to find the one you are most comfortable with. Strathmore Brand makes excellent paper that is very popular amongst artists.

Horse Hair Drafting Brush – You should be able to purchase a horse hair drafting brush at any local art supply store or online store. This is a really helpful tool for brushing away unwanted eraser scraps from your drawing.

Basic Drawing Techniques:

There are two basic ways to approach a drawing: linear and tonal. The linear approach to a drawing focuses on line and outlines of shapes. In tonal drawing, you make use of gradations to indicate the various planes of your subject.

You should try to avoid smudging and blending in the beginning so that you force yourself to use your pencil more to achieve value in your drawings.

Avoid looking at your drawing too often. Make sure you are constantly focusing on the subject and only glancing at your drawing. By doing so, you won’t constantly judge your drawing, or think something is
wrong or out of place. Focus on the subject and draw what you see.

Never throw out any of your drawings. Keep a neat portfolio of everything you draw. This is an excellent way to see your progress over time.

Holding the pencil – Hold your pencil in a way that is most comfortable for you. Some hold the pencil just as you would hold a pen or pencil if you were writing. Others hold a pencil with the pencil between the thumb and index finger, with the rest of the pencil resting under the palm of your hand. Whichever method you use for holding your pencil, make certain that you do not hold the pencil too tightly.

Contour Drawing – This very basic technique is simply drawing the outline of your subject without any shading to indicate form.

Blind Contour Drawing – Similar to contour drawing, only you do not look at the paper. The point of this exercise is to force you to better observe what it is you are drawing. You should have no concern over the outcome of your drawing so it is important not to peek.

Hatching – This drawing technique uses a series of parallel lines drawn close together, in the same direction, which gives the appearance of value.

Crosshatching – Similar to hatching only you draw multiple layers of hatch lines at different angles that overlap one another.

Tonal or Value Drawing – In this approach to drawing we are indicating the various changes of light and shade in our picture without the use of strong edges and lines.

Upside Down Drawing – Drawing upside down is a wonderful exercise to awaken the right side of your brain. When you turn an image upside down, you are making it somewhat abstract and unrecognizable. This forces you to draw what you see as opposed to relying on your memory to draw something.

Negative Drawing Technique – This technique teaches you how to properly see the “white” or “negative” space in your picture. This is the area that surrounds your subject or “positive” space. Instead of drawing out the positive part of the drawing with line, you draw in the shapes that surround the positive part of your drawing.

Dry Wash Technique – This technique works quite well if you want to cover large areas of your drawing. It creates a nice soft tone. You begin by adding marks with a pencil or apply some graphite powder to the desired area on your paper. Then using a tissue or soft cloth pick up some of the graphite and gently rub it across the paper, almost as if you were painting.

Learn How to Paint: Draw Or Write Like a Pro With Continuing Education Classes

Learn How to Paint, Draw or Write Like a Pro with Continuing Education Classes

Have you ever wanted to be an artist? Most of us have at one point of our lives or another. However, in school, the focus was more on reading, writing and rithmetic instead of honing our artistic or musical skills. Now that you are an adult and can make your own decisions, you’d like to try and learn these things and take up a new hobby. But how? Do you read a book or ask your friend who paints?

Well, you can, but it won’t help you get the know-how that taking a continuing education course can give you.

Continuing education courses can be anything from an accredited degree program (one where you earn a degree to use in your career at the end) to a simple day-long course at the local community college. However, it’s those simple courses that can give the students amazing experience in areas they never had a chance to learn about previously.

A student can take painting classes, learn to sew or knit, learn to arrange flowers or research your family tree-all by taking a few courses for a few weeks. You can learn how to create the next big piece of artwork or sew your daughter’s wedding dress. Or, you can do something simple. Continuing education courses have something for everyone.

Because the topics can range so widely, these continuing education courses are a great way for retirees to keep their minds sharp in their senior years. It also gives them a way to meet people with similar backgrounds and interests.

So, if you are itching to get started on that painting you’ve always dreamed of creating, now is the time to get started. Why now? Because, well, why not now? There is no better time than the present to start living your dreams, no matter your financial background or martial status. You will also find that pursuing your interests will help you with your self-confidence, self-esteem and general happiness in your life.

Where can you find continuing education courses like these?

Well, first start by calling your local community college or recreation center. Nearly ever town or city has at least one and they are sure to offer a few each month that will serve your interests.

If you can’t find continuing education courses at your local community college, head online. Search on your favorite search engine for continuing education courses in your city or region. You are sure to find a great selection to choose from, probably in places you weren’t aware of before. Then, all you have to do is register, attend class and let your mind soak up the new information. It can be that easy!

Living your dreams of becoming an artist or clothing designer doesn’t have to be only a dream. You can make it a realitywith only the tuition payment and some imagination. Just think, maybe someday you can pass on your knowledge to others and help them start living their very own artistic dreams too.

Learn to Paint Like a Child

All children love to draw or paint. It matters little whether the result is an exact copy of reality because at that very moment reality is in the mind of the artist. As they draw they are creators and each will stand back to admire what they have accomplished. It is not their desire to become an artist, they are there already!

There is that small child in all of us –an artist inside that holds a perception of the world as expressed by our feelings and thoughts. It differs from everyone else; it is unique. But during the years of maturity we became self-conscious about our abilities.

Unfortunately, we might have been criticized and decided that our talents lay somewhere else. Because it was met with some form of disapproval, we stopped being so free with our expressions.

Picasso once said, “All of my life I have been learning to paint like a child”. Did he succeed? I think he did, because he never let go of his child-like images. He was the master of innocence. Today his artworks are priceless, but at the time they were created I’m sure some judged them harshly.

My first recollection of drawing or painting was around the age of ten. By high school I spent my meager earnings on oil paints and canvas. My passion was nature – animals in particular and that was my subject material at the time. Talent has two definitions–a natural ability or a developed skill. My parents couldn’t send me to art school, so I depended on the former.

I am still painting in my senior years without the benefit of schooling. There were times when I thought I should have learned the basics of form, reflective light, color-wheel importance, composition, etc. Still, not everyone can deal with the pressure of grades or a structured format. I paint from my heart, expressing what my mind dictates, and there are no schools that teach that. I give myself new challenges, just to see if I can produce this vision on canvas to my own satisfaction. You don’t have to have a certificate to do that.

Often we look at things without really seeing them. After all, our eyes are merely lenses; they have no knowledge, no memories and no experiences. To see well we must open our minds as well as our eyes. Perhaps for that reason I like to paint the less-than-perfect subject material.

A broken sea-shell has more character than any perfect specimen. Models, just short of perfect beauty leave a little ‘yet to be desired’. My choice for portraits would be in the facial structure itself, eye or skin color and character lines. It’s been said that there are two times when a boy can be called beautiful — at puberty, and when felled by the sword. I see in each of these a child-like perception and I am driven, at times, to put these images on canvas.

Henri Matisse put it this way: “Creation begins with vision. The artist has to look at everything as though seeing it for the first time, like a child”.